Saturday, December 31, 2011
Thursday, December 29, 2011
Saturday, December 17, 2011
Apostles' Creed in place of the Nicean-Constanipolitan. I love the 2002 Misale Romanum and its new English translation. However, I don't think the option to use the Apostles' Creed is a good idea. We need more specificity about our Faith, not less.
Advent Police. My first year at the seminary, the Ice Queen (tm) decreed that there would be no Christmas decorations at all during Advent. (I think she was descended from Burgermeister Meisterburger.) It made for the most depressing December EVER! Jesse Trees just don't cut it. I hear more and more of similar bans. Get a grip folks. I understand the desire to appreciate the Liturgical Season of Christmas, but get a grip folks. Saying Merry Christmas does not destroy Advent and neither do Christmas lights and trees. This problem can addressed by the gradual introduction of Christmas decorations culminating on December 25th and by leaving them up until the Feast of the Baptism of the Lord. Liturgical Puritanism in not the answer.
(Later addition) Liturgical Newspeak. "Eucharistic Liturgy", "Reconciliation", and "Gathering Space (or any 'space' for that matter)", I am thinking of you! The liturginazis hate traditional terminology. While the Mass is a Eucharistic Liturgy, it is not the only one; see Benediction and a Communion Service. Confession is only Reconciliation if one is guilty of a mortal sin. Our churches are more than just 'spaces' for worship. Just stick to the traditional terms and everyone will know what you are talking about.
Posted by Fr. Erik Richtsteig at 11:16 AM
Saturday, December 10, 2011
801-For the Life of the World: HH, NAU, DO, LC.
808-We Are God's Work of Art: HH, NAU.
810-You Are God's Work of Art: HH, NAU.
813-Song of the Chosen: NAU, DO.
815-You Satisfy the Hungry Heart; DTD Please give me an article!
816-Let Us Be Bread: DO, SIGV.
817-Jesus, Wine of Peace: HH, DO, SIGV.
821-Bread of Life, Hope of the World: DO. Excuse me, lead us to the Father.
824-I Myself Am the Bread of Life: SIGV.
825-As the Grains of Wheat: HH, DO.
827- Bread for the World: DO.
828-I Am the Bread of Life: SIGV.
831-Take and Eat: SIGV.
833-Now in This Banquet: HH, DO.
842-Take and Eat This Bread: SIGV.
844-Without Seeing You: HH.
845-The Song of the Supper: DO.
847-Song of the Body of Christ: HH, H, NAU. We come to share HIS story....We come to know His rising from the dead.
849-Table Song: HH, DO.
Why am I not surprised that there are so many problems with the "Eucharist" songs.
C=Castrated, DO= Dubious Orthodoxy, DMWP=Don't Mess With Perfection, DS=Dan Schutte, DTD=Done To Death, EP=Ex-Priest, G=Germanophobic, H=Heretical, HH=Haugen&Haas, HL=Hella Lame, LC=Leftist Crap, NAU=Not About Us, PC=Politically Correct, SIGV=Singing In God's Voice (i. e. we are not God), SWTR= Stick With The Rite, TMV=Too Many Verses, WIG=Where is God?
Born at Berlin, Germany, in 1869, he had the benefit of that thorough training for which the schools of Germany are renowned. After passing through the grammar and manual training schools, he continued his studies of the higher branches at the evening and Sunday school, where he acquired all the knowledge of mathematics, drafting, etc., necessary to become a competent piano constructor. Under the personal tutelage of the well-known piano maker Eduard Werner, of Berlin, Richtsteig mastered in the course of lime all the details of piano making. Competent to earn his own living, he came to America in 1888 and engaged with Bush and Gerts, of Chicago. In order to perfect himself more particularly in the art of scale drawing, he bided his time for an opportunity to study under Henry Kroeger of Steinway fame. He remained at Kroeger's factory in New York for one year, when he was induced to assume the foremanship in the finishing department of his old employers, Bush and Gerts, of Chicago.
In 1898 he accepted the position as designer and constructor for the Starr Piano Company, of Richmond, Ind., where he designed scales for upright and grand pianos, including a concert grand. Eminently successful in these efforts, he became desirous of starting in business for himself. Opening business at Milwaukee, in 1905, he experienced all the trials and tribulations of the beginner, until he found in Edmund Gram a man congenial to him, filled with his own ideals, and possessed of the same ambition to build a piano of the highest order. Under the name of Gram-Richtsteig Company a partnership Gramwas formed in October, 1908. By the close of 1908 fifty pianos had been disposed of; the year 1909 closed with sales of two hundred fifty pianos, which number was doubled in 1910 and again doubled in 1911, so that larger manufacturing facilities had to be provided for. Richtsteig did not aim for a sky-rocket success; he knew that he had to train and educate men to build the artistic piano which he had designed. Deft handling of tools is not sufficient to make artistic pianos; the men must know the why and wherefore. To train his men properly, Richtsteig started the first technical school for piano makers in America, at his Technical factory, in 1908. The proposition was accepted with enthusiasm Scho°I by the young men in his employ. Only men who had practical experience in piano building were admitted. The tuition was free, Richtsteig devoting his evenings to teaching his men the fundamental laws of piano construction.
He soon had a sufficient force of thoroughly educated artisans, which enabled him to increase the output of his factory to keep pace with the ever-growing demand. The superior qualities of the Gram-Richtsteig piano were quickly recognized by the trade and the instrument was accepted as one of the leaders.
The thorough piano maker, Richtsteig, had succeeded in constructing a piano comprising all that modern methods suggest, and had embodied in it many original ideas which enhanced the durability and reliability of the same, yet he was not contented. He knew that all piano manufacturers were laboring under the difficulties presented by the delicate adjustment of the action parts, which would easily get out of alignment, because of the continual change in the atmosphere from dry to wet, and vice versa. F. C. Billings, a piano tuner, had Kail Action invented a metal flange in place of the commonly used wooden frame gange, furthermore a metal frame with steel angle rails to prevent the usual warping and twisting of the ordinary wooden rail. Richtsteig took up these inventions and commenced to put them to most severe tests, improving the construction and application until he was satisfied that with these improvements the obnoxious warping of rails or loosening of flanges would be a fault of the past. The use of these metal frame actions with brass flanges in the Gram-Richtsteig piano was hailed with enthusiasm by piano dealers and attracted the attention of piano makers to such an extent that a corporation, with Max Richtsteig as president, has been formed to manufacture these patented metal actions for the piano trade at large, under the name of Gram-Richtsteig Metal Frame Action Company.
Posted by Fr. Erik Richtsteig at 10:57 AM